Willow Hunter is an everyday teen that has an
ambition to be a successful nature photographer. On one of her photography
outings something unexpected happens. She gets kidnapped and ends up in the
middle of nowhere. With her kidnapper Lilith Sinner not in sight, she makes her
escape.When she breaks out of her 'cell' she notices the inky black sky and realises she must have been unconscious for hours. As she is finally excepting her surroundings as real, she sees a mysterious figure moving in the darkness so she sets off. Willow’s
heart beats loudly as her legs become weak. Willow finally comes to a clearing where she thinks it is safe but is she? Can Willow escape her kidnapper and
pursue her photography dream or will her dream die alongside herself?
In the first scene, Kapadi uses home footage to show how young and happy Amy was as an adolescent in 1998. We see a clip of her singing happy birthday to one of her best friends. It then skips forward to January 2001 and then six months later we see her in a rehearsal studio in North London. Kapadi again uses old footage that was shot of her in the studio. He uses voiceovers to give context to the home footage clips. He sometimes slows down the clips for it to fit with the voiceovers. This technique creates a more intense atmosphere especially towards the end of the film. Kapadi tends to display the lyrics of Amy’s songs on screen as she is singing, with more home footage playing in the background. The way he displays her lyrics on screen help the audience to understand the meaning of the song and perhaps how Amy was feeling at the moment in her life. The lyrics also tend to fade in and out as they are displayed. This technique is used multiple times throughout the film. Most of the...
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