Skip to main content

City of God


City of God
-  cinematography scene analysis



The cinematography in this scene shows the division between genders and how men and women are shown differently in the film. Men are shown as more dominant as women in film. In this scene, Shaggy is the one pushing the car whilst Bernice stays inside.
                         

The framing of this scene creates a 'barrier'          between Shaggy and Bernice suggesting that    they will end up being separated from one  another which they later do. Their plan is to escape the city however as soon as the car starts working again, Shaggy gets shot. This shows that you can never leave the city especially not without a consequence.


The cinematography once he gets shot stays the same with the 'barrier' between him and Bernice, again showing the division between genders. Shaggy ends up leaving the frame in the background and the camera stays exactly where it is showing us Bernice in the car alone. This shot shows the separation between lovers as well as genders once again.  Bernice yells at the driver to stop but he doesn't, he carries on going whilst Bernice bangs on the window. This can suggest that there isn't a way out as she is trapped
in the car.



In this shot, we see the car Bernice is in go back into the city, showing that there is no way out of the city. So not only did she lose Shaggy, she also never was able to get away and go somewhere else. The cinematography in this scene allows us to see the whole city as it is from a high angle. 



We can then see that Shaggy is dead which tells us that if someone was to try and leave the city, there is a high chance that they won't make it out alive. The high angle shot allows us to see an overview of Shaggy surrounded by police and a crowd of people. The police continue to take his shoes off and check his pockets for money which they then take from him. 

Comments

Popular posts from this blog

Social Realism - Trainspotting

What are the conventions of social realism ? Social realism is a film genre that concentrates on enlightening the audience on what representation and problems that exist in todays society. They usually revolve around the themes such as money, drugs, class, religion and politics. The codes and conventions of British Social Realism are: location shooting - urban environments wide shots non-professional actors semi improvised scripts  humour and seriousness the erosion of regional identities wider social issues explored via emotional and dramatic individual stories triumph over adversity What kind of political ideologies are most associated with this style of film making ? Ideologies are the sets of basic beliefs about the political, economic, social and cultural affairs held by the majority of people within as society. democracy  capitalism  communism conservatism anarchism What is Hyperrealism? Hyperrealist art is art that tries to be ...

Amy scene analysis

In the first scene, Kapadi uses home footage to show how young and happy Amy was as an adolescent in 1998. We see a clip of her singing happy birthday to one of her best friends. It then skips forward to January 2001 and then six months later we see her in a rehearsal studio in North London. Kapadi again uses old footage that was shot of her in the studio. He uses voiceovers to give context to the home footage clips. He sometimes slows down the clips for it to fit with the voiceovers. This technique creates a more intense atmosphere especially towards the end of the film. Kapadi tends to display the lyrics of Amy’s songs on screen as she is singing, with more home footage playing in the background. The way he displays her lyrics on screen help the audience to understand the meaning of the song and perhaps how Amy was feeling at the moment in her life. The lyrics also tend to fade in and out as they are displayed. This technique is used multiple times throughout the film. Most of the...

Pan's Labyrinth - Beginning Scene Analysis

The beginning of this film is in a circular narrative, it starts when we see Ofelia dying. After this, we see Ofelia and her mother in the car travelling towards the captain. As they get closer to the captain, Ofelia's mother Carmen becomes more and more sick indicating that the captain, Vidal is a bad character as he is already having an effect on Carmen. When Ofelia stops the car for her mother, she gets out and walks until she finds a rock. She walks a bit further and then finds a statue with a missing eye. The stone that Ofelia finds matches perfectly. When she places the stone in its place, a large bug flies out of the statues mouth. The replacing of the eye represents how Ofelia now has the vision to see the fantasy creatures that she soon meets in the film. No other people have this ability. The concept of eyes throughout the film can be seen as a warning to the audience suggesting that they should look closer into the film at the different elements being shown. In Spain i...